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・ Adoration (1928 film)
・ Adoration (2008 film)
・ Adoration (band)
・ Adoration (disambiguation)
・ Adoration (Tomato)
・ Adoration in the Forest (Lippi)
・ Adoration Monastery of the Sisters of St-Clare
・ Adoration of the Child
・ Adoration of the Child (Bosch)
・ Adoration of the Child (Correggio)
・ Adoration of the Child (Gentile da Fabriano)
・ Adoration of the Magi
・ Adoration of the Magi (Andrea della Robbia)
・ Adoration of the Magi (Bosch, Madrid)
・ Adoration of the Magi (Bosch, New York)
Adoration of the Magi (Bosch, Philadelphia)
・ Adoration of the Magi (Correggio)
・ Adoration of the Magi (Dürer)
・ Adoration of the Magi (Filippino Lippi)
・ Adoration of the Magi (Fra Angelico and Filippo Lippi)
・ Adoration of the Magi (Gentile da Fabriano)
・ Adoration of the Magi (Leonardo)
・ Adoration of the Magi (Lorenzo Monaco)
・ Adoration of the Magi (Mantegna)
・ Adoration of the Magi (Ospedale degli Innocenti)
・ Adoration of the Magi (Perugino)
・ Adoration of the Magi (Rubens)
・ Adoration of the Magi (Rubens, Antwerp)
・ Adoration of the Magi (Rubens, Cambridge)
・ Adoration of the Magi (Rubens, Lyon)


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Adoration of the Magi (Bosch, Philadelphia) : ウィキペディア英語版
Adoration of the Magi (Bosch, Philadelphia)

''The Adoration of the Magi'' is an oil painting on wood panel attributed to Netherlandish artist Hieronymus Bosch, executed around 1499. It is housed in the Philadelphia Museum of Art, USA. The museum's catalog assign it to around 1518, as having been finished by Bosch's workshop. According to Dendochronologic research, it could have been painted in 1493-1499.
==Description==
The painting is a traditional representation of the Adoration of the Magi theme, similar to other Bosch ''Adoration of the Magi'' of New York, although reversed. Mary is at left, taking shelter under a small hut (which has clear perspective errors), while the three Magi bring their gifts to Jesus. As common in these pictures, Balthazar is kneeling with his crown lying on the ground, while the other two speak to each other.
The background is more original. It depicts Joseph scratching his head, with a table represented in a wide-angle perspective; behind the hut are the ox and the donkey and two men armed with arrows.
Hungarian art historian Charles de Tolnay explained the more archaic elements as a citation of a miniature of the Utrecht Missal (1425-1430), which also includes, for example, the cracked wooden pillar of the hut or the Manna fall representation in Gaspar's sleeve.〔

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